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first news of the thread...

West Coast rappers the Game and Snoop Dogg appear together on the “West Coast Resurrection” March issue of XXL magazine, in celebration of the history and revival of West Coast rap.

The Long Beach-raised Snoop Dogg and Compton-bred Game are often credited with bringing the West Coast back to recognition in hip-hop recently.

On the cover of the commemorative issue, Game sports his trademark red hoodie (the color of the Bloods gang) and Snoop dons baby blue (the Crips color).

“It’s ironic how much Snoop and the Game have in common. Both are Dr. Dre protégés who created two of the strongest debut albums in hip-hop history,” said XXL Editor-in-Chief Elliot Wilson in a statement. “Hopefully, that type of success will open more doors for a new generation of West Coast MCs.”

In the upcoming issue, Game speaks on his awe of Aftermath mentor Dr. Dre, a legendary face from the West. “I saw Dre, and I damn near shi**ed on myself. I only [knew] this dude from TV and listening to the radio,” says Game. “Still to this day, I be working in the studio with Dre, he turn his head, and I be looking at him like, Damn, that’s muthafu**in’ Dr. Dre!”

Unlike Game, who has openly praised the brotherhood aspect he says gangs can offer, Snoop prefers to downplay his supposed connection to the street life in his interview.

Reacting to his line, “Keep a rag on the left side/yeah that’s the Crip side” on his hit “Drop It Like It’s Hot,” Snoop says, “That was just a particular statement that I made on the song. I’m not tryin’ to promote a way of life. I’m not tryin’ to promote gang violence or nothin’ like that. It’s just the way I felt when I wrote the rap.”

In the special issue, the magazine also pays tribute to vital players in the rap game who came out the West. The hip-hop publication marks the ten-year anniversary of Eazy-E’s death, features profiles of rap pioneers DJ Quik and MC Eiht, and an exclusive interview with Ras Kass on life after prison.

XXL has also joined with MTV2 for the 25 Greatest West Coast Videos of all time, which airs March 13 on MTV2. Elliott Wilson provides his own commentary throughout the countdown.

“The thing I love most about our final list is that we were able to cover such a wide range of artists,” said Wilson. “The West Coast has always been about more than just gangsta rap.”

Wilson said the video countdown honors such artists as Sir-Mix-A-Lot, MC Hammer, Coolio and Young MC, who were often criticized for going the pop route. Female MCs like Yo-Yo and JJ Fad, and rap crews Pharcyde and Souls of Mischief are also given the light.

The XXL “West Coast Resurrection” issue will be on stands March 1

source:envymuzik.com

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Jadakiss Thanks 50 For The Opportunity:

Jadakiss is one of the MCs targeted in 50 Cent's Piggy Bank and he plans to respond with his own diss record.
"This is the best thing that could have ever happened to us," Jada explained earlier this week. "I don't know what's wrong with 50. But I thank him for the opportunity to [let me] air his ass out."

Jadakiss also shows some financial interest, "As long as we do it right, we can't go wrong from this. I can sell, I can make Styles' album double platinum alone just off this whole thing. My album sales for Kiss of Death is gonna start going up off this whole thing. It's just swinging the momentum our way, which we needed."

When asked about his reaction to Piggy Bank, Kiss is quick to answer "when I heard 'Piggy Bank,' I was happy," Kiss laughed. "I felt way worse when I heard [Beanie] Sigel's [diss] record [a few years back]. 'Piggy Bank' was funny to me. He's gotta have something else. That can't be it, it's garbage! I guess it was just a jab. But the power punch I'm gonna give him, that wasn't the right arsenal to start off the fight with."

Jada's response should be released on mixtapes in the next few days, make sure you check HipHopGame's audio section because you know we'll have it.

source: HHG

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Lil Cease claims he's not a snitch for snitching on Lil Kim:

If you're from the streets, one of the most honored codes is that you don't tell, especially not on your friends. And although he testified against his estranged friend Lil' Kim in her perjury trial, he maintains he's not a snitch.

"Being that Kim took the case to trial, they subpoenaed all the witnesses," Cease said on Friday. "Me and Kim wasn't on good terms for the moment, and she made it clear to the world that she didn't want to have anything to do with me and my peoples. So she wasn't trying to call us to her defense. Being that we was witnesses there, the U.S. government subpoenaed us. And there's nothing you can do about that. When you're subpoenaed, you either come or they take your ass to jail. It's just that simple."

Cease said his appearance in court was the first time he had seen his onetime close friend in several years.

"All the sh-- I been through, this is the first time that I've touched the stand. ... It was just sick. But at the end of the day ... that sh-- was like business," he said. "When [the feds] come in there, they're not playing. With this whole war on rap and these feds and this rap patrol, it's serious. They're looking for someone to make an example of."

Biggie's onetime hype man and best friend said the Queen Bee should have never taken her perjury case to trial and should have accepted a plea bargain. Cease described the case the prosecution presented as practically insurmountable.

"She's supposed to have caught the picture that they were trying to put [her] away," Cease vented. "But she felt like she could beat them, and I don't know what she was trying to do with that. These federal people knew everything. They had phone taps, they had the video cameras from the [shooting at Hot 97]. They had that all on tape. They had pictures, they had two-way messages. Remember, [the shooting] was in 2001. So they worked on it for about two or three years, and they pulled everybody in there. My peoples, Rock and Gutta, they copped out to the case once they knew they couldn't win it. Shorty thought she could take it further, and she did what she thought she had to do."

The new leader of the Junior M.A.F.I.A. said that despite Kim's conviction, he doesn't expect her to do much time because her record is "as clean as a virgin." Cease also made it clear that despite their ties being severed, he hates to see the woman he was once close to go to prison.

"No matter what our situations, I didn't have no problems with her," he insisted. "My thing was she didn't call me to her defense, so I left it at that. She could have called me, she could have subpoenaed me as well, but it was the U.S. government that subpoenaed me. She don't mess with me and my dudes, so we kept our distance from them."

Source: Envymuzik

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Quick Note: 50 Cent sold 1.1 Million in the first week of sales, with only 4 recorded sales days instead of a full week.
(http://www.mtv.com/n...309/story.jhtml)

The second week of sales, which was 50's first full week, The Massacre sold 771,000 copies.
(http://www.mtv.com/n...316/story.jhtml)

For the third straight week, 50's The Massacre will claim Billboard's proverbial pole position, according to SoundScan figures. The album, 50's follow-up to 2003's Get Rich or Die Tryin', sold more than 364,000 copies, for a three-week total of almost 2.3 million units. Despite a sales plummet of more than 50 percent, The Massacre maintains its place at the top of the charts, begging the obvious question: Can 50 Cent be stopped?

According to next week's sales tally, not anytime soon. The combined musical might of U2, Gwen Stefani, Lindsay Lohan, Nelly, Snoop Dogg, Destiny's Child, Good Charlotte and Ashanti, in the form of Now That's What I Call Music! Volume 18, will prove itself to be the strapping rapper's toughest opponent — with first-week retail scans of nearly 339,000. But in the end, Now 18's still no match for the likes of 50.

Other debuts — Brooke Valentine's Chain Letter, Crosby, Stills and Nash's Greatest Hits, Daft Punk's Human After All and Kaiser Chiefs' Employment — will all infiltrate the top 100, but none will come close to touching The Massacre's market prowess.

Sales of surfer-turned-acoustic-rocker Jack Johnson's hit In Between Dreams will fall just below the 100,000 mark to take a distant third, while Green Day's acclaimed American Idiot will climb one position on the Billboard sales chart to #4, with sales of close to 76,000 in its 26th week of release.

Former G-Unit foot soldier the Game's The Documentary slides two spots to #5, with more than 67,000 records flying from retail shelves. Kelly Clarkson's Breakaway is right behind Compton's finest, coming in at #6 with more than 66,000 scans. Jennifer Lopez's latest, Rebirth, takes #7 with somewhat disappointing sales; with little more than 60,000 albums sold, Jenny's record has barely moved 408,000 copies after its third week of release.

Several chart regulars will round out next week's top 10; the Killers' Hot Fuss will finish at #8 with almost 58,000 scans and John Legend's Get Lifted will hold onto #9 with just over 51,000 records sold, besting a #10 showing by Ray Charles' Genius Loves Company by more than 2,000 records.

But next week could mark the end of an era, as 50 Cent's supremacy will face competition from Queens of the Stone Age's Lullabies to Paralyze, Moby's Hotel, Frankie J's The One and Tweet's It's Me Again. Only time will tell if 50's chart dominance can withstand further attacks, but if the trail of records left in his commercial wake tell us anything, it's that 50 isn't going to go silently.

Source: MTV.com

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Nas's concert at London's Brixton Academy was cut short Monday night when a gun-toting audience member fired two rounds into the venue's ceiling during the rapper's set, leading concertgoers to rush for the exits, according to a Scotland Yard spokesperson. Louise Kovacs, a spokesperson for the venue, said no one was reported injured.

The concert was shut down immediately. More than 40 police were dispatched to the South London venue and recovered a pair of bullets and their casings, according to the Scotland Yard spokesperson, who described the suspected gunman as a black male. No arrests have been made, but an investigation into the shooting by the London Metropolitan Police is ongoing.

Several witnesses who spoke to the BBC wondered how a gun could have been smuggled past the more than 100 security staff on hand. The Brixton Academy statement says the venue always "operates high levels of security," and confirms that "over 100 security personnel were present" during the concert, "with secure cordons across the building and eight metal detectors on site for full security checks and searches upon entry."

The venue's management is also conducting its own investigation into the shooting, according to the statement.

Source:MTV.com

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Texas Teen's Dis Song Leads To His Arrest

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A Texas high school student who rapped about killing a former friend was indicted Monday on felony stalking charges.

Brock Anthony Coleman, 17, who "believes himself to be a budding rapper" according to Dallas County Sheriff's Department spokesperson Sergeant Don Peritz, wrote and recorded a rap song in which he threatened to kill another student, and later sold CDs of the song — called "Theory of a Dead Man: Make Up Your Mind" — to his classmates.

But according to Peritz, the song itself was not enough to justify the indictment of Coleman, a student in the Dallas suburb of Mesquite. The matter crossed the line between free speech and criminal behavior when Coleman began calling his song's intended target and visiting his home, which he did several times. Coleman even enlisted members of his gang, Money Over *BLEEP*es, to follow the victim home, Peritz said.

"You have to look at this thing in its totality," Peritz explained. "The song, by itself, is nothing but a song clearly written to intimidate. When you take the song's lyrics, the way he distributed the song at school, and couple that with the constant phone calls, the visits to the victim's house, the gang members following him around, you have an issue that needs to be dealt with. The rap song is not the offense."

The song's lyrics include, "We used to ride, smoke and get high/ Now I just wanna watch this mutha----- die" and "Ho, answer ya phone/ Don't make me come to ya home ... Sorry [victim's mother's name], wish you well/ Your son can go to hell."

Peritz said the song, which also threatened the victim's girlfriend and family, helped investigators to make a strong case for the grand-jury indictment that led to Coleman's arrest.

According to Peritz, Coleman and the victim had been in the gang together and had a falling out. "The complainant dropped out of the gang, which pisses [Coleman] off, so he writes this song about shooting him," he said. "With all the school violence in the news of late, it wasn't one of those things you could take a chance with."

The victim's family took the threats seriously and contacted police, Peritz said.

Coleman was released from jail after posting $5,000 bond, and is expected to appear in a Dallas courtroom on April 12. He faces 10 years in a federal penitentiary if convicted. Peritz said Coleman would have been facing less time if not for a recent tweak to Texas law that elevated the penal code status of stalking from misdemeanor to felony.

Coleman told The Dallas Morning News that he was not in a gang, and that the targeted student actually likes the song. "He called me up and said it was tight," Coleman said. "He'd come to school and his friends would play it in the parking lot, in the stereos in their trucks. I guess it was supposed to intimidate me."

Source: MTV.com

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Beanie Sigel Not Feelin The Love Up North, Shuts Down S.P.

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As of right now, the name "State Property" only exists as a clothing label, a film company and the title of a movie and its sequel. The chain gang itself is on an indefinite hiatus.

Beanie Sigel has been in solitary confinement for the past 60 days, but he is still able to receive visitors — and apparently give out orders. He's passed down a very clear mandate to his good friend Dame Dash.

"I just know the order he sent me is that there is no State Property until he gets home, period," Dash said last Monday in New York. "That's that. All I can do is carry out that order, 'cause that's my brother."

Beans' mother, Michelle Brown-Derry, says that her son believes his homies — with the exception of Oschino — have turned their collective backs on him. Since going to jail late last year (see "Beanie Sigel Sentenced To A Year In Prison For Gun Charge"), he hasn't heard from Young Gunz, Sparks, Peedi Crakk or even Freeway, who seemed to have the tightest bond with the Broad Street Bully.

"It seems that Beanie was instrumental in getting all of those guys to the point where they was at," mama Sigel said on Friday. "His question is, 'Where is the love?' There's no loyalty, no love being shown at all. There was not a letter from any of these guys other than Oschino out of that whole State Property crew."

Ms. Michelle, as she is called by Beanie's friends and business associates, says she is surprised that the crew seems to have faltered, especially since some of her son's homies were so supportive during the trial.

"As it [became] obvious he was going away, everyone got scared," she determined. "It seems like they counted him out like he wasn't coming home. It's just unfair."


Contractually, all the artists who once rolled as the Philadelphia collective are still on Roc-A-Fella, which of course was sold to Def Jam and is now being run solely by Jay-Z (see "Jay-Z, Dame Dash Sell Roc-A-Fella Records; Jay Named Def Jam Prez").

"They seem to feel content where they are at," she lamented, before clarifying that Sigs has no problem with Jay-Z. "They were originally signed to Roc-A-Fella with the knowledge that once Beanie received his label, they would be transferred to Beanie's label. But they seemed content to stay signed to Roc-A-Fella. The bottom line is there was just no loyalty, period."

"Whoever decided to make certain choices without talking to Beans is a little out of line anyway," Dame added. "It doesn't mean that there is no State Property, it just means that they don't believe in what we believed in as far as that independent spirit and should have had enough respect to go to Beans. But certain people feel there was never a State Property anyway."

Dash was referring to Sigel's choice to start up a label under the Dame Dash Music Group umbrella. Despite being incarcerated, and without any artists in his fold, he is forging forward. Sigel shot five videos before going to jail, and the latest, "And You Don't Stop," is scheduled to begin airing soon. Sigel's third LP, The B. Coming, is coming on March 29, with "State Property 2" hitting theaters on July 13. His mother says that he is looking at brand new artists, one of whom may be his fiancee, Melissa, who sings on the underground smash "Change Gon' Come."

Source: MTV.com

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The Top 75 Women Who Changed R&B

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"URBAN magazine's 'Top 75 Women Who Changed The Face Of R&B' list! (Page 22-24). The list is comprised of female artists/groups who have contributed to taking Rhythm and Blues music to the next level during their reign of success."

1. Aretha Franklin
2. Mary J. Blige
3. Tina Turner
4. Whitney Houston
5. Teena Marie
6. Meshell Ndegeocello
7. TLC
8. Sade
9. Lauryn Hill
10. Janet Jackson
11. Patti LaBelle
12. Chaka Khan
13. Roberta Flack
14. Gladys Knight
15. Diana Ross
16. Dionne Warwick
17. Erykah Badu
18. Toni Braxton
19. Mariah Carey
20. Alicia Keys
21. Aaliyah
22. En Vogue
23. India Arie
24. Anita Baker
25. Donna Summer
26. Destiny's Child
27. Jill Scott
28. Betty Wright
29. Regina Belle
30. Jean Carn
31. Natalie Cole
32. Beverley Knight
33. Missy Elliott
34. Minnie Ripperton
35. Foetry
36. Deniece Williams
37. Stephanie Mills
38. SWV
39. Phyllis Hyman
40. Vanessa Williams
41. Zhane
42. Amel Larrieux
43. Chante Moore
44. Melba Moore
45. Brandy
46. Beyonce
47. Evelyn 'Champagne' King
48. Millie Jackson
49. Jody Watley
50. Emotions
51. Neneh Cherry
52. Faith Evans
53. Ashanti
54. Cheryl Lynn
55. Pointer Sisters
56. Patti Austin
57. Tamia
58. Rachelle Ferrell
59. Angie Stone
60. Lisa Fischer
61. Shanice
62. Rhian Benson
63. Kelis
64. Maysa
65. Meli'sa Morgan
66. Monica
67. Deborah Cox
68. Heather Headley
69. Randy Crawford
70. Patrice Rushen
71. Tracie Spencer
72. Oleta Adams
73. Sonique
74. Jazzyfatnastees
75. Mica Paris

Source: EnvyMuzik
(list subject to change, visit http://envymuzik.com...opic.php?t=2805 to stay updated)

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Outkast's Manager Says Movie, LP Will Be Their 'Purple Rain'

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Outkast's manager, Blue Williams, says that while his fellas' next projects are taking a little longer than originally expected, they're definitely coming.

Andre 3000 and Big Boi's film, shot from July to October last year, was formerly known as "My Life in Idlewild," a title director Bryan Barber had coined as a joke (see "What's Up With The Outkast Movie? The Director Spills It All"). It's currently being edited, and the guys are coming up with music for the soundtrack.

"The plan was to do the movie for the Speakerboxxx/The Love Below box, but we couldn't get it up and running in time," Williams explained. "We worked out a deal with HBO for the movie. The guys wanted to take some of the songs from Speakerboxxx/The Love Below 'cause they were still relevant, but we needed new music. Since the movie is being edited, now is when we plug in the new music. There's music that will be [in the movie], and there's music not in the movie. So fans, when they buy the CD, are getting something they haven't heard yet.

"To do it right, we've had to do it like this, so it's taken a minute," Williams continued. "This is gonna be like our 'Pink Floyd: The Wall' or our 'Purple Rain.' We want it to be a body of work that'll stand the test of time."

Although the LP is being billed as a soundtrack, Williams described it as "the next Outkast album" and said Andre and Big will be producing.

"The majority of the music is gonna be the fellas," he said. "It could be all them, but if I say it's gonna be one way, then next week it's gonna be something else. The plan is for it to be mostly them, but I wouldn't be surprised if [there were] some guest appearances."

If Outkast get their way, the film will have its theatrical release this fall, with the soundtrack coming out shortly before the flick.

"The guys did their thing," said Williams. "They don't look like first-time actors. It's not no ghetto — it's a period piece. Big Boi really shines. His acting stands out."

Outkast are also looking forward to dropping a proper group album in 2006. In the interim, Andre is going to keep acting — he's secured a role in John Singleton's next film -- and Big Boi has started his own imprint, Purple Ribbon, through Virgin.

The first three artists to be spawned from Big's new deal will be Sleepy Brown, a group called Konkrete and Bubba Sparxxx, who has nearly completed his new album. Killer Mike, an artist Dre and Big Boi are putting out collectively, still has his deal at Sony Music and is releasing his sophomore LP later this year. He's going to put out three singles within the next several weeks.

Williams himself is just as busy as his two star clients. He's working with Jay-Z and L.A. Reid at Def Jam, helping Nick Cannon put together his next album and managing Case, who is in the process of securing a new record deal, and also managing newcomer Lyfe.

Source: MTV.com

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State Property Members Stress Independence, Don't Take Order

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Since Dame Dash and Beanie Sigel's mother, Michelle Brown-Derry, announced Beanie Sigel's prison mandate to put State Property on hold until he is released, members of the Philadelphia collective have questioned if there was really anything to pause.

"Can't no one man put nobody on hold," Sparks of Oschino and Sparks said about the order sent down by Sigel (see "Mixtape Monday: Beanie Sigel's Fair-Weather Friends, Saigon's Dose of Ice-Free Reality.") 'State Property' was a movie, then they branded us. They got a clothing line and sneakers, but it wasn't no contract where we was a group [named State Property]. We were all in individual groups. The Young Gunz was a group, me and O was a group, [Peedi] Crakk was a solo artist, Beans was a solo artist, Freeway was a solo artist. Jay-Z signed me and O. People saying Beans got everybody signed. That ain't true."

"It wasn't really no State Property, because [Roc-A-Fella] put everybody together," explained Neef of the Young Gunz, who also said he and his partner were signed to Roc-A-Fella before they even met Beanie. "Nobody really knew each other. Everybody was rapping and trying to get on. They made it hard for n---as. In so many words they said, 'You gotta come out with Mack [Beanie Sigel].' "

Freeway, who seemed the closest to Sigel, has the most optimistic outlook about the breakup. He says don't believe anything until you hear it out of Sigel's mouth.

"I've been hearing a bunch of different things, but when I talk to him about State Property, it's all love," Free said, downplaying the conflict. "Y'all gonna wait till he comes home and interview him. State Property, we see each other all the time. I see O, Sparks, Crakk, the Young Gunz. It ain't been dismantled. That's bullsh--. We here. The streets love us. We love the streets. We love our fans. We gonna make music. Forget all the rumors you've been hearing."

All the members of State Property say they were signed directly to Roc-A-Fella/ Def Jam and never were contractually bound as one supergroup. A few of them did know each other from Philly beforehand, but the crew's bond was fostered and tightened once they were put together. When Dash and Kareem "Biggs" Burke parted ways with Jay, it was left up to State Property which faction they wanted to sign with. As it stands now, O and Sparks, Peedi Crakk, Freeway and the Gunz are all signed to Jay-Z's new Roc-A-Fella, with Sigel planning to start his own imprint under the Dame Dash Music Group umbrella.

Sigel's mom says that the members were supposed to join Beanie once he set up his situation with the DDMG. However, if you ask some of the State Property members, there was never any question who they were going to align themselves with.

"I don't f--- with Dame Dash at all," Peedi Crakk fumed. "I f--- with Beans and Biggs. I can't be around [Dash]. I can't be on that side of the fence. I hollered at Jay; Jay said he got my contract, and I can go with him. I left it at that. I was happy being with Jay.

"He don't listen," Crakk continued, explaining why he doesn't associate with Dash's group. "He's so smart, he's dumb. He's got so much money, he thinks he's the sh--. A cloud just hovers over his head so much, it f---s with his common sense. That's why he's losing. He don't know how to pick music, what song to do a video for, how to shoot a video. If you tell him this, he feels disrespected because he's got so many people kissing his ass. When you talk to him on a man-to-man level, on a regular level, he feels disrespected. He's got three, four, five assistants holding his two-way, holding his money, holding his phone. All this super Hollywood sh--.

Neef insists that he and Young Chris were always planning to stay with Jay and the Roc. "We met Jay, Dame and Biggs together, but Jay was that n---a comforting us. We ain't really talk to Dame until the sh-- start fading away. When they was together, we was kicking it with Jay more. We were still going on every tour with him, but still doing everything Dame wanted us to do. When the [split] happened, we had to let them know you can't play both sides of the fence. I even had my problems with Dame, too. We used to argue about all types of sh-- — little stuff like directing videos — but [Dame's] a good n---a."

Dash says he doesn't feel that he and Jay-Z cutting business ties should mean that artists under his Music Group label can't still be cool with Roc-A-Fella artists.

"Regretfully, it looks like you have to choose a side, and that's never the way I wanted it to be," Dash said. "I think that's corny. I would look at other situations and be like, 'That could never happen over here.' It appears that it did. That's embarrassing to me. It wasn't anything that me, Beanie or anybody under this umbrella bought into. The Roc is about friendship — or at least it was. It wasn't about the money. We do whatever we do to help each other. ... When we signed people, they were signing into a certain kind of unity where this could never have happened. We were snobby, like 'We're the thorough dudes. We would never do no clown stuff like that.'

"I guess the choice that had to be made was, 'Do we want to go through a system and be corporate, or do we have an independent spirit?' " Dash explained. "Beans was like, 'I'm gonna roll with the independent thing.' Even though we still get distributed through Universal and I deal with L.A. Reid, we're still independent."

Business issues aside, Brown-Derry said her son had fostered close personal relationships with the fellas from Philly, and he's hurt that he hasn't heard from the State Property guys while he's been in jail the last several months.

"I can't really speak on why nobody has really been seeing him," Neef said. "Me and Mack, we never had a crazy relationship like everybody else had with him. We was cool, but we never saw eye to eye. It ain't no beef or drama. ... I ain't on his album. You gonna hear Chris on his album, not me. I was never mad at him; we just never clicked. He's a real n---a — I can't take that away from him. He's nice as sh-- with the rappin', but we just didn't click."

"When I was in jail, didn't nobody write me," Crakk said. "I didn't want nobody to write me. Only person who came to see me was Freeway. Oschino tried to come see me, but he couldn't. I talked to Mack on the phone.

"But that's not how we roll when a person is locked up. N---as don't wanna see n---as when you in jail. All you worried about is your girl, your mom, your grandmother, your kids. You not worried about no n---as in jail writing you back and forth. When I was in jail, I didn't get mad about nobody writing me. Didn't nobody go see my mom, nobody took money to mom. Beans called my mom, I call his mom. Beans is my man. Me and Beans got a connection. I start calling him 'Uncle Mitty.' "

"What are we supposed to do, be stagnated?" Sparks asked. "I got kids. I gotta make moves. I probably ain't take the time out to write him — my fault — but he could have reached out to me. I got the same number. You got money on the books; you can call. My home address never changed. I'm still in the same neighborhood. But I got real busy. It's time to focus on me, 'cause Beans ain't around to handle business. What do they mean, 'We on hold?' I'm supposed to tell my son or daughter, 'We can't eat because Beans is locked up?' "

State Property, as we knew them, all have individual efforts coming down the pike shortly. Beanie Sigel's The B. Coming is slated for March 29, while the Gunz's Brothers From Another is out May 24 and Freeway's Free at Last is due July 5. Peedi Crakk's solo album and an Oschino and Sparks LP have no release dates yet, but Crakk's is well into production and Oschino and Sparks say that they are done. Sparks has even moved on to his own solo project.

Even if we have seen the last of State Property making music as one group, the members of the crew still seem to be pretty tight. Young Gunz, Peedi Crakk and O and Sparks still stay in constant communication. All agree that there is no beef among them, and they still have love for Sigel.

Source: MTV.com